Throughout the history of cinema, there comes a time when a movie would change the face of movies for the next several years. Some of those movies are remembered for those changes like Gone with the Wind, Citizen Kane, A Bout de Souffle, La Dolce Vita, 2001: A Space Odyssey, The Godfather, Raging Bull, Pulp Fiction, and many other classics that are worthy of mention. Then in 1998, a film of that caliber joined their ranks in its extraordinary vision of how films could be. It was dramatic, it was heartbreaking, it had wonderful visual moments, and... it was downright f*cking hilarious. Riding high from the award-winning success of their 1996 crime film Fargo, Joel & Ethan Coen created a film that defied all and set their place in cinema in stone with a film about a stoner who made the world his own in The Big Lebowski.

Written, produced, and directed by the Coen Brothers, (well Joel does most of the directing and Ethan does the producing), The Big Lebowski is a wonderful tale set in the early 1990s about a lazy stoner named Jeff Lebowski, nicknamed The Dude, who through all of his life, likes to drink White Russian, play bowling with his pals, and smoke some fine grass in his Los Angeles home with a rug, a rug that really tied the room together. Then amidst some confusion, he is mistaken for another Jeff Lebowski as criminals urinated on his rug, the rug that really tied the room together, as he seeks compensation from the other Lebowski, a richer, elder man. The Dude ends up being part of a scam where he's involved with Lebowski's artistic daughter, nihilists, porn producers, and many more as he and his buddy Walter do what they have to do to save the day.

Playing the role of The Dude is great dramatic actor Jeff Bridges in a role that he is born to play. Also starring Coen Brothers regulars John Goodman, Peter Stormare, Steve Buscemi, Jon Polito and John Turturro plus Julianne Moore, Sam Elliott, Flea, David Huddleston, David Thewlis, Ben Gazarra, Phillip Seymour Hoffman, and Tara Reid. The Big Lebowski is one of cinema's greatest and hilarious comedies of all-time.

It's a typical day for The Dude as he's on his way home to drink some White Russian when suddenly, two thugs come into his home. Beat him up and worst of all, urinated on his favorite rug because he's Jeff Lebowski. Unfortunately, the thugs realized that he's not the millionaire Jeff Lebowski (David Huddleston) whose wife Bunny (Tara Reid) owes a lot of money including a debt to a porno film producer named Jackie Treehorn (Ben Gazarra). The incident turns out to be a case of mistaken identity as he talks to former Vietnam-vet buddy Walter (John Goodman) and their bowling buddy Donny (Steve Buscemi) about the incident and the rug as Walter wants to get to the bottom of this while telling Donny to shut the f*ck up!

Feeling he needed to be compensated for his rug, the Dude meets Mr. Lebowski's assistant Brandt (Phillip Seymour Hoffman) about the incident as everything Brandt told Lebowski has angered the millionaire over the Dude's presence. The Dude only wants compensation for his rug as he convinced Brandt that Mr. Lebowski told him to take a rug as compensation when really, the Dude decides to steal it. On his way out, he sees a man named Uli (Peter Stormare) lying on a pool drunk and Mr. Lebowski's wife Bunny who offered the Dude something. The Dude seems to have succeeded in getting some compensation while knowing that he's still part of a bowling tournament despite Walter's stance on the rules when he violently threatened another bowler over a little thing.

Things suddenly got worse for the Dude when Brandt called to tell him that Bunny had been kidnapped and Mr. Lebowski wanted the Dude to give the kidnappers a million dollars for her return while the Dude will receive a 20 grand fee for helping. To help with the plan money transfer, Walter joins in where everything he and the Dude planned failed as Walter insists it's a cover-up for her to get some money. The transfer failed due to Walter's ideas while the Dude's days were even worse when a mysterious woman knocked him, put him in a fantasy dream, and then takes away his new rug. Things only get worse when his chances to win the bowling tournament is threatened by the taunts of a crazed bowler named Jesus (John Turturro) and a blue Volkswagen driven by a mysterious man (Jon Polito) is following him.

Even with his car stolen, the Dude gets a call from Maude Lebowski (Julianne Moore) who was the woman who slugged him and took his rug. She apologized for hurting his jaw and gives him the number of his doctor and only took the rug because it was her late mother's. She gives him information about her own feud with her father since he disapproves of her arty lifestyle where she creates paintings of the female anatomy. The Dude is taken home when he is forced to meet Brandt and Mr. Lebowski who confronts the Dude's claim of Bunny kidnapping herself when Brandt reveals a toe as Mr. Lebowski wants Bunny to return safely. When the Dude learns his car has been found, he is again followed by the mysterious blue Volkswagen while finding a crumpled piece of homework belonging to a kid named Larry (Jesse Flanagan). Things get worse when the Dude is suddenly attacked by Uli and two of his nihilist friends Kieffer (Flea) and Franz (Torsten Voges) with help from a ferret.

The Dude sees Maude again with her friend and video director Knox Harrington (David Thewlis) where she shows the Dude a porno film produced by Jackie Treehorn starring Bunny and Uli. Walter finds information about the teenage kid named Larry who is the son of a writer of an old TV show where things go wrong as Walter's misreading of things get them into more trouble. The Dude is suddenly accompanied by the two thugs who peed on his rug as he is taken to the home of Jackie Treehorn. Treehorn wants to know about Bunny's whereabouts since she owes him a huge debt and thinks the Dude has information when all he really wanted was compensation for his rug as he is drugged and is whisked away into another fantasy involving Maude. After a rough night with a sheriff (Leon Russom), the Dude learns some new information about Maude where he and Walter, who refused to do anything on Shabbos, decide to confront the truth in another night of hilarity.

Now for anyone aware of the all the plot implications and catchy dialogue that the Coen Brothers have is sometimes filled with intelligence and ideas to think about. Well, this film doesn't have any sense of intelligence or ways to move you emotionally. Nope, this is pure low-brow comedy at its finest and who better to conceive this masterpiece of slacker humor with elements of stoner comedies better than the Coen Brothers. There's no sense of character study or morals in here. The film is simply about a lazy stoner who becomes a hero, or a loser, or both Plus, it's a buddy comedy where the stupid guy is helped by an even dumber guy. It's not brain surgery or some kind of typical Academy Award-winning script. No, it's just a simple, hilarious, flat-out, laughing-your-sick-f*cking-*ss-off kind of comedy.

In many respects, if Fargo was the duo aiming high, this film was the duo aiming low and in a great way. Still, the Coen Brothers manage to reference everything they've done before where for example, Steve Buscemi's character in Fargo never shuts up while the character of Donny never really gets a chance to talk. In many ways, the Coen Brothers are just having fun where the film's script that is accompanied a bit by the rambling narration of a sarsparilla-loving cowboy called the Stranger played by Sam Elliott. The script is built to create each funny moment and situation with rambling dialogue that just makes the audience care or laugh at the Dude with or without his cohorts.

Joel Coen's direction is filled with the traditional camera angles while he presents some hilarious sequences. Notably the film's fantasy sequences which features a Saddam Hussein look-a-like giving the Dude some bowling shoes. The fantasy sequences are surreal yet witty in the Dude's adventures. Even the aura of mystery surrounding the whereabouts of Bunny reveals that despite his laziness, the Dude isn't a total idiot who has morals while the mystery angle works to help carry the comedy. Coen's direction brings a presentation of Los Angeles that is strange and zany for all the surroundings of the Dude.

Helping the Coen Brothers in their unique vision is their longtime cinematographer Roger Deakins. Deakins' work is filled with wonderful lighting in the brightness of the bowling scene while capturing the upper-class world of the film's interior settings. For the exterior settings, Deakins uses the flashy colored lights of the pool and the bowling alley stars to brings a surreal, colorful atmosphere for the surroundings of Los Angeles to complement the Dude in his stoned state. Production designer Rich Heinrichs helps create the contrasting world of upper-class and lower-class Los Angeles while giving a wide look for the film's bowling scenes as well the surreal fantasy sequences for the Dude. Longtime costume designer Mary Zophres also does great work in the film's costumes, notably in the costume sequences where Julianne Moore wore two bowling balls as a bra while most of the clothes the Dude wears is actually the clothing Jeff Bridges own. To think that a rich, successful actor like Jeff Bridges could actually afford some decent clothes instead of the cheap ones he wore as the Dude.

In their alias as Roderick Jaynes, the Coen Brothers with Ethan's wife and editor Tricia Cooke brings a nice, leisurely-paced style to the film's editing while the film's tight cutting help the scenes move along nicely, particularly the segue to the fantasy sequences. Jaynes and Cooke does some great work with the editing with the help of longtime sound editor Skip Lievsay who does some excellent sound work to help out in the film's strange atmosphere to play with its humor. Longtime composer Carter Burwell does some excellent score work with his orchestral arrangements to play up to the film's intensity in its mystery subplot while some more playful textures to the film's comedy. Most of the film's music is supervised by T-Bone Burnett who created a rich soundtrack to play up to the world of the Dude.

The soundtrack includes an array of great cuts filled with such classic rock music from Creedence Clearwater Revival, Bob Dylan, Santana, Booker T & the MGs, Townes Van Zandt, and Elvis Costello plus a couple of cuts from the Eagles. A cover of Hotel California by the Gypsy Kings and another song from the bad where it had a scene of the Dude saying he hates the f*cking Eagles. I do too. There's also some nice jazz cuts from Nina Simone, Dean Martin, Debbie Reynolds, and a cut from the Sons of the Pioneers that opens the movie. There's also a great cut in a fantasy performed by Kenny Rogers & the First Edition that is very surreal yet fun to watch with the music. Burnett's choice of music is brilliant and its easily one of the best soundtracks ever which also includes two covers of Viva Las Vegas by ZZ Top and Shawn Colvin.

Now there's the film's cast which includes some wonderful cameos and small performances from porn actress Asia Carrera as an actress in a porn film, Aimee Mann as a fellow nihilist, Dom Irrera as a limo driver, Carlos Leon as a thug of Maude's Coen Brothers regular Jon Polito as the Dude's stalker, Jerry Havela as Saddam Hussein, Leon Russom as the Malibu sheriff, Jesse Flanagan as the quiet kid Larry, David Thewlis as Maude's video director friend, Phillip Moon and Mark Pellegrino as Treehorn's thugs, and Jimmie Dale Gilmore as Smokey, the guy who Walter violently threatens. Red Hot Chili Peppers bassist Flea and Torsten Voges are hilarious as the nihilists while Peter Stormare is even funnier as the lead nihilist with their funny German accents. Tara Reid is good as Bunny Lebowski which isn't much of a stretch since her party girl antics makes her suited for the role.

Ben Gazarra is excellent as the sleazy but charming porn producer Jackie Treehorn with his coolness and business-like presence. Coen regular John Turturro's small performance as Jesus is truly one of the best small roles ever as Turturro brings a lot of funny creepiness and antics that are so memorable to watch while he does a great Spanish accent. Another Coen regular in Steve Buscemi is also funny as the nice but often interrupted Donny who always tries to get into a conversation but ends up being a great comedic prop as Buscemi played the role perfectly. Phillip Seymour Hoffman gives a great, straight performance as Mr. Lebowski's assistant Brandt with such restraint and manner as Hoffman plays the role in the straightest way as he comes off as the most straight person in the film. Sam Elliott is very funny as the Stranger whose rambling narratives often lose track while his voice is very laid back and often talking about sarsparilla. David Huddleston is great as Mr. Lebowski with his mean-like presence that is big as Huddleston really stands out.

Julianne Moore gives her most pretentious performance to date as Maude Lebowski as Moore plays the role with sheer fun while creating a mock-European voice to give the character a lot of humor. It's Moore's funniest performance overall as she brings a lot of snobbery as Moore parodies the art world with her great performance. Coen regular John Goodman is truly perfect as Walter with his stickler to the rules and his misreading of information. Goodman has a great, cartoon-like army look that is truly Walter and no one could play that role better than him. Goodman has great chemistry with Bridges as they make one of the best comedies duo of all-time.

Finally, there's Jeff Bridges in what is truly, a role that he is born to play as the Dude. Bridges before the Dude was always wonderfully dramatic and showing a lot of his range in his roles. Once he is the Dude, Bridges looks like he has a lot of fun as the Dude with his laid-back persona while trying to do things right although he never does. Bridges never makes his character truly pathetic yet he's so much fun to watch that he becomes an unconventional hero. If there's one film performance Bridges will be remembered for, it'll be as The Dude.

When the film was released in early 1998, fans who were expecting another Fargo-like masterpiece was somewhat disappointed. Fans and critics were divided by what the Coen Brothers were trying to say or were not saying. Yet, the film for some reason, became a cult classic as even fans of the duo considered the film to be a classic thanks to the cast and soundtrack. The film's popularity was so surprising that it even attracted audiences and individuals who wouldn't be into low-brow comedies as festivals for the film were held and remains a popular film in midnight showings.

If there's only one film to see from the Coen Brothers, it's The Big Lebowski. Thanks to the performances of Jeff Bridges, Julianne Moore, Ben Gazarra, Sam Elliott, David Huddleston, Phillip Seymour Hoffman, and Coen regulars John Goodman, Steve Buscemi, Jon Polito, John Turturro, and Peter Stormare. The film is without a doubt a classic stoner comedy. While it's not for high intellectuals who want a plot, it's for anyone who just doesn't care and just wants to laugh. So in the end, grab some White Russians, some grass, call a few bowling buddies, and have a good time watching one of the greatest movies of all-time, The Big Lebowski.

Coen Brothers Film Reviews: Blood Simple - Raising Arizona - Miller's Crossing - Barton Fink - (The Hudsucker Proxy ) - Fargo - O Brother, Where Art Thou? - The Man Who Wasn't There - (Intolerable Cruelty) - (The Ladykillers (2004 Remake)) - No Country for Old Men - Burn After Reading - A Serious Man

Recommended:
Yes

Viewing Format: DVD
Video Occasion: Good for Groups
Suitability For Children: Suitable for Children Age 13 and Older